Max E. Barnes Herrlander

Settler

Photograph on paper, 2025

43X64.5

Max E. Barnes Herrlander

Nature Study

Photograph on paper, 2025

43X64.5

These two photographs Settler and Nature Study, were presented as part of HOPLA’s recent exhibition Raymour vs. Flanigan in New York. Herrlander’s contribution, Family, is a love letter in the form of a photo series to his wife Betty Barnes, a playful journey through events that have made Herrlander’s life his own.

At the peak of the COVID-19 pandemic, Herrlander obtained his American citizenship and left a stressful, sickness-infested lower Manhattan with Betty for Hancock, New York, where the pair secluded themselves with the goal of conceiving. Together they played, nature-bathed, read, wrote, and made arts and crafts. Without comparison, Herrlander describes this period as the happiest chapter of his life — a stretch of time unusually dense with discovery, meaning, intimacy, and enjoyment.

Through this body of work, Herrlander also offers a gesture of gratitude to his wife and, more broadly, a salute to the female experience and the sacrifices carried by women who become mothers. The physical, emotional, and professional costs of motherhood, he suggests, remain deserving of acknowledgment, reverence, and celebration.

— Bilal Amjad, HOPLA Gallery